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Author Topic: Musings on digitizing vinyl  (Read 44255 times)
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ed linssen
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« Reply #15 on: January 27, 2013, 11:43:47 pm »

Thanks Coen. Anyone else want to have a shot?

Mani.

Hi Mani,

 a)I hope the bottom one to be the LP
 b)Midlle one the rip
 c)Upper one the conversion asf. At least the left(upper) channel is compressed and somehow limited.

Ed
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« Reply #16 on: January 28, 2013, 12:28:19 am »

a: cd     peaks cut off
b: lp      highest irregular peaks
c: sacd  in between a and b

What do I win? Wink
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« Reply #17 on: January 28, 2013, 06:50:41 am »

B = LP

The others would be a guess.
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« Reply #18 on: January 28, 2013, 09:42:00 am »

1 = SACD
2 = LP
3 = CD

I said it before : This means of DR measure isn't worth much (I can easily tweak it for the clear worse, while the DR number goes sky high).

So ...

3 is the good master version of a CD.
1 is taken from the bad master version of a CD which also exists.
2 is quite noisy and thus your LP. And no, I don't derive the noisy from the obvious. Happy

The DR from 2 (LP) looks right to me (despite what I said above) and this is because no precautions were taken to compress it somewhat like has been done in 3 and more in 1 (this is not necessary for LP).

Warning :
1 (my SACD) and 3 (my CD) can just as well be turned around when the masters used are turned around. Then this would come from it :

1 = CD
2 = LP
3 = SACD

with the explanation that the only thing happened to 3 is that it was expanded from the same master as used for 1.

And if that were not all, the "master itself" as we could see it in 3 can already be an expanded one of the master used for 1.
What am I saying ?
That both 1 and 3 can be CD which I can easily show you. Ok, I will, see below.

So the question : which one is the SACD ?
haha
Moral : it tells nothing because it depends on the master.




* Mani02.png (5.63 KB, 144x565 - viewed 819 times.)
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« Reply #19 on: January 28, 2013, 11:22:05 am »

The 'winners' are... GerardA, Christoffe and of course Peter!

The order was:

File 1 = CD
File 2 = LP
File 3 = SACD

What's interesting for me is that these were all derived from the original 1990 digital master, which from the spectra (not shown) is quite clearly 44.1 (and almost definitely 16 bits). Why the massive compression on the CD? I have no idea. There seems to be a little bit of compression on the SACD, whereas the LP doesn't seem to have as much (or any).

FWIW, I prefer the sound of the vinyl. I know it's from the same digital master as the CD/SACD, but to me it's simply more satisfying to listen to. Is this due to the lesser compression? Or perhaps a euphonic effect caused by the inherent distortion in all LP replay? I don't know. But what I do know is that even XX and the NOS1 can't 'polish the turd' they've put on the CD.

As so many people have been saying, we're stuck with what the mastering engineer did and no format is going to be able to improve on that.

Mani
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« Reply #20 on: January 28, 2013, 12:13:25 pm »

The digitized LP files (EMT 950, EMT XDS, KORG MR 2000s, Audiogate software;  192KHz/24bits (superior to 96/24), )
are totally different in SQ to CD files  via XXH.

Instruments on CD files are well seperated, less soundstage, cymbals are more harsh , but I like it.

LP files smoother SQ  and nice soundstage

Christoffe
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« Reply #21 on: January 28, 2013, 12:24:46 pm »

No no no, I can't be a winner because I supplied two solutions. But to be clear, the screenshot of the two files I provided were both from existing CDs. Both exactly resemble the 1 and 3 provided by you, Mani.

To work it out further you could look into the SACD hi-res rip you will also have. Does it contain frequency above 22.05KHz ? I'm afraid it will not. And when not, both are from the same digital source which shouldn't be "hires" in the first place. The SACD is just expanded somewhat and is the same as my second picture (which btw is an MFSL).

Not that it is all *that* important, but this is how our own rips from vinyl can work out for the better. Not that I will believe that more than 20KHz can be obtained for it, but for the remainder ... yes.

Thank you Mani. These things are always fun.
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« Reply #22 on: January 28, 2013, 12:36:50 pm »

To work it out further you could look into the SACD hi-res rip you will also have. Does it contain frequency above 22.05KHz ? I'm afraid it will not.

Nope, no signal over 15KHz or so. It does make you question the wisdom of putting a 16/44.1 master onto SACD - but I guess your equipment appreciates the HF workout.

Mani.

EDIT: for completeness, I've added the vinyl 24/176.4 recording spectrum.


* SACD to PCM 24_176.4 Spectrum.JPG (52.34 KB, 344x273 - viewed 844 times.)

* Vinyl 24_176.4 Spectrum.JPG (52.02 KB, 345x272 - viewed 779 times.)
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« Reply #23 on: January 28, 2013, 01:04:03 pm »

If I understand correctly, the first graph shows that this SACD originated from a redbook right ?

But the graph of the LP ? Can someone explain why there is no dip ?

Thanks.

Alain
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« Reply #24 on: January 28, 2013, 01:24:05 pm »

Mani, no. I know that "analysing" this sh*t is difficult, but your LP goes to 15KHz just the same. The remainder is sheer noise. Sorry about that, but this is how I see it.

Set the scaling to liniar and use any windowing you like, but no "hires" behaves like this.
The top of the caret is where the music ends. The remainder is "anomaly".
Besides that, I don't think it can exist from LP, although I don't know the price of your cartridge. But still ...

Peter


* Mani03.png (18.29 KB, 676x442 - viewed 899 times.)

* Mani04.png (162.76 KB, 467x298 - viewed 821 times.)
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« Reply #25 on: January 28, 2013, 01:31:46 pm »

Quote
But the graph of the LP ? Can someone explain why there is no dip ?

Alain,

With some imagination you can see the dip just the same in my screenshot from my previous post. But this is coincidence. Well, unless the LP was taken from the LP of course. Hahaha, and you know what, this can even be true (DSD recording - ehm assumed that this existed in 1990). But too far sought anyway.

The dip in the SACD is from "noise shaping". Think like "the 1-bit quantization noise is moved to beyond the audio band".
In this case Mani will have done that himself. So, he determined how steep the "audio band" ends and where the (inaudible (??)) noise starts. Mani may have used Audio Gate for that which IMO is no good anyway. But alas. Mani will tell it himself if it suits him.

If we are not careful, the whole lot comes from a "vinyl-rip" in the first place.

Quote
What's interesting for me is that these were all derived from the original 1990 digital master.

Maybe. But then not the best.
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« Reply #26 on: January 28, 2013, 01:41:48 pm »

Mani, no. I know that "analysing" this sh*t is difficult, but your LP goes to 15KHz just the same. The remainder is sheer noise. Sorry about that, but this is how I see it.

Hey Peter, I agree 100%. What do you think I meant by "no signal over 15KHz"? I was talking about the original master, and therefore all of the versions too.

EDIT: On the graph that Peter showed, it's clear that there is output from the cartridge all the way to 30KHz, but no signal on the LP. So it's just noise from 15KHz to 30KHz at about -84dB.

Oh and the cartridge cost me about the same as a NOS1!

Mani.
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« Reply #27 on: January 28, 2013, 01:51:42 pm »

Quote
Hey Peter, I agree 100%. What do you think I meant by "no signal over 15KHz"? I was talking about the original master, and therefore all of the versions too.

Ah, I missed that (interpretation). Ok.

Peter
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XXHighEnd Mach III Stealth LPS PC -> Xeon Scalable 14/28 core with Hyperthreading On (set to 14/28 cores in BIOS and set to 10/20 cores via Boot Menu) @~660MHz, 48GB, Windows 10 Pro 64 bit build 14393.0 from RAM, music on LAN / Engine#4 Adaptive Mode / Q1/-/3/4/5 = 14/-/0/0/*1*/ Q1Factor = *4* / Dev.Buffer = 4096 / ClockRes = *10ms* / Memory = Straight Contiguous / Include Garbage Collect / SFS = *10.13*  (max 10.13) / not Invert / Phase Alignment Off / Playerprio = Low / ThreadPrio = Realtime / Scheme = Core 3-5 / Not Switch Processors during Playback = Off/ Playback Drive none (see OS from RAM) / UnAttended (Just Start) / Always Copy to XX Drive (see OS from RAM) / Stop Desktop, Remaining, WASAPI and W10 services / Use Remote Desktop / Keep LAN - Not Persist / WallPaper On / OSD Off (!) / Running Time Off / Minimize OS / XTweaks : Balanced Load = *62* / Nervous Rate = *1* / Cool when Idle = n.a / Provide Stable Power = 1 / Utilize Cores always = 1 / Time Performance Index = Optimal / Time Stability = Stable / Custom Filtering *Low* (16x) / Always Clear Proxy before Playback = On -> USB3 from MoBo -> Lush^3
A: W-Y-R-G, B: *W-G* USB 1m00 -> Phisolator 24/768 Phasure NOS1a/G3 75B (BNC Out) async USB DAC, Driver v1.0.4b (16ms) -> B'ASS Current Amplifier -> Blaxius*^2.5* A:B-G, B:B-G Interlink -> Orelo MKII Active Open Baffle Horn Speakers. ET^2 Ethernet from Mach III to Music Server PC (RDC Control).
Removed Switching Supplies from everywhere (also from the PC).

For a general PC :
W10-10586.0 - May 2016 (2.05+)
*XXHighEnd PC -> I7 3930k with Hyperthreading On (12 cores)* @~500MHz, 16GB, Windows 10 Pro 64 bit build 10586.0 from RAM, music on LAN / Engine#4 Adaptive Mode / Q1/-/3/4/5 = 14/-/1/1/1 / Q1Factor = 1 / Dev.Buffer = 4096 / ClockRes = 1ms / Memory = Straight Contiguous / Include Garbage Collect / SFS = 0.10  (max 60) / not Invert / Phase Alignment Off / Playerprio = Low / ThreadPrio = Realtime / Scheme = Core 3-5 / Not Switch Processors during Playback = Off/ Playback Drive none (see OS from RAM) / UnAttended (Just Start) / Always Copy to XX Drive (see OS from RAM) / All Services Off / Keep LAN - Not Persist / WallPaper On / OSD On / Running Time Off / Minimize OS / XTweaks : Balanced Load = *43* / Nervous Rate = 1 / Cool when Idle = 1 / Provide Stable Power = 1 / Utilize Cores always = 1 / Time Performance Index = *Optimal* / Time Stability = *Stable* / Custom Filter *Low* 705600 / -> USB3 *from MoBo* -> Clairixa USB 15cm -> Intona Isolator -> Clairixa USB 1m80 -> 24/768 Phasure NOS1a 75B (BNC Out) async USB DAC, Driver v1.0.4b (4ms) -> Blaxius BNC interlink *-> B'ASS Current Amplifier /w Level4 -> Blaxius Interlink* -> Orelo MKII Active Open Baffle Horn Speakers.
Removed Switching Supplies from everywhere.

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manisandher
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« Reply #28 on: January 28, 2013, 01:52:04 pm »

The dip in the SACD is from "noise shaping". Think like "the 1-bit quantization noise is moved to beyond the audio band".

Yep, that's what it is.

In this case Mani will have done that himself. So, he determined how steep the "audio band" ends and where the (inaudible (??)) noise starts. Mani may have used Audio Gate for that which IMO is no good anyway. But alas. Mani will tell it himself if it suits him.

I just told Audiogate not to apply any filtering, and that's all. The dip from 15KHz to 22KHz on the SACD is identical to the dip on the CD. However, after 22KHz, the noise builds on the SACD due to the noise-shaping.


Quote
What's interesting for me is that these were all derived from the original 1990 digital master.

Maybe. But then not the best.

Yep, certainly not the best. But it's the reason I chose this track... to show that the mastering is the most important factor, before format.

Mani.
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Main System:
Phasure Mach III (Win 14393.0 on RAM-OS / controlled by RDC, / connected directly to music server / XXHighEnd 2.11 / Minimize OS / Engine#4 Adaptive / DB=4096 / Q1=10 / xQ1=15 / Q3,4,5=1 / SFS=4.00 / XTweaks = 34, 10, 0, 0, 0 / Straight Contiguous / Clock Resolution = 15ms / Scheme 3-5 (low/realtime) / 8x Arc Prediction / switch #5 'up/off' / Unattended) mobo USB3 port -> Lush^3 -> Phasure NOS1a B75 G3 -> 8m Blaxius^2 -> First Watt F5 mono amps -> Tune Audio Anima horn speakers
Office System:
Phasure Stealth II -> Lush^2 -> RME ADI-2 Pro FS R -> Neurochrome 286 mono amps -> Tune Audio Marvel horn speakers
PeterSt
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« Reply #29 on: January 28, 2013, 01:55:45 pm »

When we are at it anyway, I listened to the CD-rip provided by Mani and the 44.1 + 176.4 Vinyl-rip. Btw, all output to 705.6.

CD - Good.

44.1 Vinyl - poor. No channel separation. Highs in the left channel too faint.

176.4 Vinyl - Good. Slightly better than the CD, audible in the lower end of the drum (at the start). Little lower, little longer lasting.

Peter

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For the Stealth III LPS PC :
W10-14393.0 - July 17, 2021 (2.11)
XXHighEnd Mach III Stealth LPS PC -> Xeon Scalable 14/28 core with Hyperthreading On (set to 14/28 cores in BIOS and set to 10/20 cores via Boot Menu) @~660MHz, 48GB, Windows 10 Pro 64 bit build 14393.0 from RAM, music on LAN / Engine#4 Adaptive Mode / Q1/-/3/4/5 = 14/-/0/0/*1*/ Q1Factor = *4* / Dev.Buffer = 4096 / ClockRes = *10ms* / Memory = Straight Contiguous / Include Garbage Collect / SFS = *10.13*  (max 10.13) / not Invert / Phase Alignment Off / Playerprio = Low / ThreadPrio = Realtime / Scheme = Core 3-5 / Not Switch Processors during Playback = Off/ Playback Drive none (see OS from RAM) / UnAttended (Just Start) / Always Copy to XX Drive (see OS from RAM) / Stop Desktop, Remaining, WASAPI and W10 services / Use Remote Desktop / Keep LAN - Not Persist / WallPaper On / OSD Off (!) / Running Time Off / Minimize OS / XTweaks : Balanced Load = *62* / Nervous Rate = *1* / Cool when Idle = n.a / Provide Stable Power = 1 / Utilize Cores always = 1 / Time Performance Index = Optimal / Time Stability = Stable / Custom Filtering *Low* (16x) / Always Clear Proxy before Playback = On -> USB3 from MoBo -> Lush^3
A: W-Y-R-G, B: *W-G* USB 1m00 -> Phisolator 24/768 Phasure NOS1a/G3 75B (BNC Out) async USB DAC, Driver v1.0.4b (16ms) -> B'ASS Current Amplifier -> Blaxius*^2.5* A:B-G, B:B-G Interlink -> Orelo MKII Active Open Baffle Horn Speakers. ET^2 Ethernet from Mach III to Music Server PC (RDC Control).
Removed Switching Supplies from everywhere (also from the PC).

For a general PC :
W10-10586.0 - May 2016 (2.05+)
*XXHighEnd PC -> I7 3930k with Hyperthreading On (12 cores)* @~500MHz, 16GB, Windows 10 Pro 64 bit build 10586.0 from RAM, music on LAN / Engine#4 Adaptive Mode / Q1/-/3/4/5 = 14/-/1/1/1 / Q1Factor = 1 / Dev.Buffer = 4096 / ClockRes = 1ms / Memory = Straight Contiguous / Include Garbage Collect / SFS = 0.10  (max 60) / not Invert / Phase Alignment Off / Playerprio = Low / ThreadPrio = Realtime / Scheme = Core 3-5 / Not Switch Processors during Playback = Off/ Playback Drive none (see OS from RAM) / UnAttended (Just Start) / Always Copy to XX Drive (see OS from RAM) / All Services Off / Keep LAN - Not Persist / WallPaper On / OSD On / Running Time Off / Minimize OS / XTweaks : Balanced Load = *43* / Nervous Rate = 1 / Cool when Idle = 1 / Provide Stable Power = 1 / Utilize Cores always = 1 / Time Performance Index = *Optimal* / Time Stability = *Stable* / Custom Filter *Low* 705600 / -> USB3 *from MoBo* -> Clairixa USB 15cm -> Intona Isolator -> Clairixa USB 1m80 -> 24/768 Phasure NOS1a 75B (BNC Out) async USB DAC, Driver v1.0.4b (4ms) -> Blaxius BNC interlink *-> B'ASS Current Amplifier /w Level4 -> Blaxius Interlink* -> Orelo MKII Active Open Baffle Horn Speakers.
Removed Switching Supplies from everywhere.

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